Tuesday, 30 December 2014

Plan for 2015 Thyagaraja Aradhana

The annual Thyagaraja Aradhana will be held from January 6 to 10, 2015 at the saint-composer's samadhi in Thiruvaiyaru, near Thanjavur. The gosti singing of the composer's famed pancharatna kritis will be on Jan.10, 9 a.m. onwards.

From day one, teams of artistes offer their musical tribute on a  stage opposite the samadhi - the short concerts run from 6 am to midnight.

Make your plans now!

Canteen Art

The canteen run by Mount Catering at Sri Parthasarathy Swami Sabha's venue has a nice feature. The painted portraits of all the top ranking Carnatic music artistes. This is a nice effort and pleasing to the eye of the diner.

- Reported by C. S. Baskar



It rained. Now the sun is out.

It rained hard in sessions on Monday evening. And this washed out many recitals. In a few sabha halls there were 10/ 25 people. But the sun is out on Tuesday and this will warm up the last leg of Season 2014. But it is chill at night and many rasikas complain about the strong air-conditioning in a few halls.
This photo was shot on Monday night outside the Bhavans in Mylapore.

Sunday, 28 December 2014

The Murugappa thukkada

How much does Chennai know that a unique music and dance festival is on in this metro? Do tourists coming in this December aware of the 'season'?
Dancer Anita Ratnam, in an aside at a dance recital in Besant Nagar on Christmas morning said that the Chennai Airport does not have anything that tells travelers of the December Season.
She was right.
But the Chennai-based Murugappa group of companies, with a hoary history moved in though late to do its bit for the festival. It has installed lit-displays at the Arrival gates of the airport that refer to the season.
It is also driving a social media campaign online ( https://www.facebook.com/MurugappaGroup)

If corporates can go beyond issuing adverts in sabha program booklets and hanging flex-banners in the auditorium lobby, and invest in independent or joint efforts to drive a larger promo for the 'season' it will be very welcome and commendable too.

The 90-minute RTP

Did you ever hear an RTP in kamboji lasting an hour and half of which the raga alapana was for 35 mins? 
If your answer is yes then most probably you attended Abhishek Raghuram's concert at Vani Mahal on Dec. 24. 
What a scholarly  and complete portrayal of kamboji! The well attended audience got so much enthused most of them could be seen actively marking time for the tani.  To attract houseful audience, an artiste need not do different things like pulling back the violinist, pushing forward the passive kanjira accompanist or offering  fragmented and severed concert items; you only have to strike the right notes. 
Rasikas are intelligent and they know how to judge the artiste. Artistes who resort to gimmicks will soon find themselves dumped by the roadside.

- Comment by Ravi Shankar

Saturday, 27 December 2014

No place for nagaswaram . . .

The issue has been debated umpteen times. What is the space that we give to nagaswaram-tavil artistes at the December Season?
Everybody knows that these artistes are assigned to provide the mangala isai before the formal launch of a music  or dance festival at all our sabhas. Only Sri Krishna Gana Sabha pursues an idea its late secretary Yegnaraman floated - to have an exclusive nadaswaram music fest at Pongal festival-time.
Today, thèse artistes and scholars who have studied the music are saying it openly on platforms that it is time sabhas had a few nagaswaram concerts too.

Even the 9 a.m. concert slots would make for a start.

Thamizh isai fest is on

Kartik Fine Arts is hosting its Thamizh Isai Fest now at the TAG-Bhavans auditorium in Kilpauk. It honored saxophonist Kadri Gopalnath at the fest inauguration and hosted a play that evening.
The fest does not boast of top artistes but among the talents you can listen to is Prasanna Venkataraman.

This is a swank auditorium, recently built and well-fitted. Do check it out if you can access Kilpauk easily.

Looking for which TMK?

A bunch of youngsters came into the Music Academy on Christmas morning thinking it was T. M. Krishna's concert. When the curtains went up and T. N. Krishnan began playing vathapi, they stood up and left, constantly murmuring all the time. 
I cannot imagine the ignorance of the crowd that is turning up at the Academy these days. Given his age, each of Krishnan sir's concert has to be cherished. A once-in-a-lifetime violinist who has kept the audience spellbound for over five decades. I wish they celebrated him better. I was quite angry and disappointed ( with the attitude of the youths)
Meanwhile, his Sindhubhairavi remains the best ever! Nobody can come close!


- Comment by Sruthisagar Yamunan

Monday, 22 December 2014

Destination for food on mada street

Sri Karpagambal Mess on East Mada Street, Mylapore is still the hot destination for artistes and rasikas though foodies of the city now have mixed feelings about dining here.

Considered to be the best place for south Indian food, this food place made some improvement in the quality of its food after some sharp criticism. Also, its cleanliness quotient is poor.

Yet, rasikas head here after a long concert. Keerai vadai and badam halwa are still its top of the menu bests.

Foreigners often choose this joint to have long conversations. But some regulars have found new tastes at Vasantha Restaurant on South Mada Street - pittu-kadala is now offered after 7 p.m.

The busiest artiste who looks like a rishi

Flutist J B Sruthi Sagar is more of a rishi than a classical music artiste. Once a concert is done, he packs his flute and his backpack, slips into his sandals and walks down the mada veedhis.
His vibhuti is still on his forehead after a long concert.

We met him near Sri Kapali Temple this evening, just to say hello. He is a busy artiste, perhaps the busiest this season.
"How many concerts do you have?"
"About sixty"
"Dance or music . . which do your prefer?"
"Both.."

Many dancers prefer to have him in their team of accompanying artistes. And he often accompanies or plays alongside his sister J B Keerthana, a vocalist.

Walking around December Season Mylapore . . .

What does a music and dance season feel and look like in Chennai?
In Mylapore, which is said to be the heart of the December Season festival.

This evening, we took a casual tour of the Mylapore zone, the hub of concerts and lec-dems and all the buzz.

We began from Nageswara Rao Park, Luz which is the hub of fitness fanatics, walkers and couples, sales reps and bums. We walked past a few push carts doing slow business in the darkness of Luz Church Road, shadows that can put off many people. The Srinivasa Sastri Hall is a hub for concerts - it has been redone, painted and bright. Arts promoters hire this place because it costs small. The music of a concert floats down to the library on the ground floor.

This is an intimate space. The audio is below average. But the entrance is not inviting save for a banner strung across the pillars of the gates. People hurrying home from work, headed to a bus stop do not even turn to the hall campus.

It is a long walk down the hawkers area and the shops at Luz Circle and down the mada veedhi to the Sri Kapali Temple area. Pilgrims and local residents keep the stream to the temple steady. At one or two junctures this evening, rasikas float in and out of Bharatiya Vidya Bhavan. Here, the three auditoria - one large, swank one and two small ones are hosting dance and music concerts of Kartik Fine Arts.

The walls of the Bhavan display many flex banners of a variety of arts tests but they look faded in the December darkness. There is nothing grand at the gate that tells people that a festival is on. In the swank lobby, tired sabha team members manage concert-goers - the dance by a less known dancer in the main hall has about 50 plus people. Many walk in and out.

We turn off from East Mada Street and head to the auditorium on Sundareswarar Street where R K Swamy Auditorium hosts a dance festival. A handful of people sit through the recital - junior dancers who must be content with family, relative and friends.
The floodlights are stark. But the entry certainly isn't what a arts festival venue should be - colorful, inviting and welcome.

In the corner outside this hall, we sweep the dark insides of a building under construction - in the plot of what used to be Rasika Ranjani Sabha - R R Sabha. A divide between sabha honchos severely delayed and froze this project. Now, things are on track and we are told the main auditorium will be ready by June 2015. Perhaps, the new life will brighten the arts space on this street.

In a community hall off Chitrakulam where bunk shops sell fresh flowers, tiffin, veggies and platain leaves, a music series in connection with the Sri Panchamugha Anjaneyar celebration is on - a notice board tells us that well known artistes will perform in this hall, without any frills of decor and lights.

Past the shrill cries of the vegetable sellers on South Mada Street, we head to the P. S. School campus. We cannot make much of the banners strung here, welcoming us. A dull orange floodlight lights the front campus. At the rear, behind the school blocks, the renovated, air-conditioned hall with plastic bucket seats. It is being cleaned for an event the next day.

Outside, Mylapore slips into the darkness of the night. There is lots of music and dance but the festival zing does not seep into us.

KutcheriBuzz launches audio channel for the 'season'

KutcheriBuzz has launched its December Season 2014 audio section. It presents daily a mix of music, speeches and interviews with artistes recorded live at the sabhas.
The small effort is to share recordings of conversations and speeches made by artistes on various platforms and also post a bit of the music of young artistes.
Enjoy the regular audio posts at - www.soundcloud.com/kutcheribuzz

Share your feedback - kutcheribuzz@gmail.com